London Portrait Photographer-shoot with Jayvic and Jahilez

Here are some of the images from the latest session with Jayvic and Jahilez, two very talented singers and writers from London. As a London portrait photographer I knew that this will be very good session. The moment I saw those two guys I knew I have to come with something good, something which really show those two artists. I knew that there is potential and that both of them will do them best to get good result. The competition is massive, a specially in place like London so to make them stand out from the crowd I had to create something different. I decided to go for little bit moody look. The biggest challenge was to find the right place to shoot, and since I couldn’t find anything I want I had to do ti myself. So I went to B&Q I bought plaster board, paint wooden panels. Two days of work with few of my friends and here we are inside the room ready to shoot. I was probably more exited about building the set then taking the picture… However as in life even London portrait photographer can learn something new every day.

To show the wall lamps I had to drag shatter speed and set ISO to 400. Canon 5D mark2, 70-200 IS I also used one soft box placed in front and above the subject.

In this image I used to soft boxes in clamp shall position with two strip boxes behind the subject to create rim light.

To see more about London portrait photographer Pawel Spolnicki just click on the link S.O.P


Rembrandt Lighting-Portrait Photographer London

Few things every portrait photographer London should know.

Portrait photography has been around since the invention of the camera. Much lower cost of the photographic process in 19th century and much shorter sitting time for the subject, led to a general rise in the popularity of portrait photography over painted portraiture. Early portrait photographers had to meet lots of challenges, like long exposure times.
Subjects had to be seated on the chair with no move for a very long time. Most of the times sobject was lit with the soft light of an overhead window. At first portrait photography was very limited due to lack of technics and equipment limitations.
Today’s technology and easy access to Internet and books allow us to take us breath taking images wether it’s a studio or location photo shoot. Not many of today’s young generation photographers even now how difficult it was back then.
When portrait photographer composes and capture image in a studio, has full control over the lighting and the composition of the subject and can tweak direction and power of light. There are lots of ways to light a subject, but there are one most common lighting setups which are described below.

Three-point lighting
One of the most known lighting set is called three-point lighting. This set uses three lights to fully model the subject’s features.
Key light also known as a main light, is usually placed to one side of the subject’s face,  around 45 degrees off center and above than eye level. The key light is the brightest light in the lighting plan.
Fill light
Placed opposite the key light, the fill light is there to soften the shadows on the opposite side of the face. The brightness of the fill light is usually around 1/3 of the key light.
This lighting setup was created to mimic the natural light created by placing a subject in a room near a window. This type of lighting can be found in the works many best painters and early photographers and is often called Rembrandt lighting.

Back light
Also called a rim light or hair light, the rim light is placed behind the subject higher than the Key light or Fill.
The point of the rim light is to provide separation from the background. The rim light should be just bright enough to provide separation from the background, but not as bright as the key light.

To read more about Portrait Photographer London please click on the link.


London Portrait Photographer-photo shoot with ballerina.

 

One day photo shoot with ballerina by London portrait photographer-Pawel Spolnicki

Last summer I was photographing this fantastic ballerina and I decided to write few words about it. Firstly before the shoot I had to find ballerina which turns out not that difficult, there is lots of people up there willing to pose for you as long as they have some good picture. We decided to do the photo shoot in Greenwich Park. I normally take to the shoot  half of my gear from the studio just to make sure is there if needed. From my experience on location I know that you always need something you forgot. Any way I knew that we are going to walk a lot, so I decided to use only one light with deep octa which was perfect for this image. I had this on  Elinchrom Ranger RX 1100 just to make sure that I have enough of power if needed. In portrait photography lighting is very important and since there was a very hot and sunny day and very unpleasant light I had to bring lots of diffusion to get rid of  harsh shadows. I found very good place for the picture and as soon we set everything up the weather changed, and as usual you have to be ready for every thing mother nature throw on you. I this case the sun was coming and going from behind the clouds through the leafs giving me ugly patches of light on the model however I quickly fixed this using diffusion panel which I didn’t forgot.

Here you can see two images from the shoot and some information on how I have done it.

In this picture I set camera to underexpose the image and I lit the model with deep octa. I placed the light on the right hand side 2-3m form the model. Camera settings: 1/160, F5.6, ISO 100

 

 

 


Headshot Photographer London

I have been doing headshot photographer for some time now and I would like to share with you some of my experiences and also technics I use to make a good picture. Every time I have new client in the studio I start simple. Most of the time with white background and nice soft bright light I always play a good music for them and take lots of pictures to worm up the clients and to relax them little bit. Being a headshot photographer London its not easy coz there is massive competition and you have to do everything to stand out from the crowd. Key to success is good lighting and expression you can pool out of your model. If one of them is not right there will be always something missing in the image. Here is my favourite set of lights for the headshot photography. I set two lights in clamshell position, on the top I put soft box or beauty dish and on the bottom soft box of reflector.  To make light nice and soft I place them as close to the model as possible plus close lights give you beautiful catchlights which are absolutely must in headshot and portrait photography.

Im shooting wide open to create great dept of field but remember when you shoot 2.8 or 2.0 make sure that your focus is perfect other ways you will find lots of soft and blurry pictures. I focus on lower eyelid and most of my pictures are ok. I shoot full frame and most of the time I use 70-200 F2.8 lens, for some reason I feel like that is the best lens for the job. Its nicely compressing the background behind the subject and it helps to get read of all the distracting things in the pictures. I always place my model far from the background that the key light does not affect the background. I just like to have full control over the lighting.

Here are some of the pictures I took using clamshell lighting set up.